![]() ![]() These are figures who have often been hidden from movie screens, too.īut of the formidable threesome, it’s Monae who most stands out. In such scenes, “Hidden Figures” feels both of the 1960s and of the present. ![]() Henson fierily delivers the film’s big, cathartic moment, one that will surely resonate with audiences familiar with her plight. Instead, “Hidden Figures” is a straightforward, satisfying tale of triumph, and it’s full of warmth and crowd-pleasing scenes that its excellent cast lends spirit and verve to. Nobody will mistake it for a deeply complicated examination of segregation and no one will wonder whether Melfi’s film is going to end on a high note. “Hidden Figures,” punctuated by bright original songs by Pharrell Williams (who also collaborated with Hans Zimmer and Benjamin Wallfisch on the score), avoids many of the typical notes of a civil rights drama and keeps its focus on its three indomitable leads and their characters’ private lives. Their leader is Al Harrison (a fine, scene-chewing Kevin Costner), who compassionately responds to Johnson’s rise. Johnson is pulled out of a pool of computers (human ones, though a room-sized IBM makes a late appearance) and brought into the all-white rocket center to check the trajectories and calculations of the scientists rushing to match Sputnik and lift John Glenn (Glen Powell) into space. Fast with rocket ships, slow with advancement,” says a manager played by Kirsten Dunst. Arithmetic surrounds them, but they’re continuously underestimated. ![]() While rockets lift off, the women of “Hidden Figures” strive for their own upward movement. Henson), budding engineer Mary Jackson (Janelle Monae) and computer supervisor Dorothy Vaughan (Octavia Spencer) are becoming impossible to ignore. Their workplace, at Langley Research Center, is segregated (with separate bathrooms and drinking fountains) and the offices are uniformly run by white men.īut the talent and smarts of mathematician Katherine Johnson (Taraji P. Set in 1961 Virginia, the fact-based “Hidden Figures,” adapted from Margot Lee Shetterly’s nonfiction book, is about three peripheral characters at NASA who made important contributions to the space race. Led by a trio of unstoppable actresses playing black women who wouldn’t be stopped, Theodore Melfi’s buoyant “Hidden Figures” is an old-fashioned feel-good movie with powerful contemporary relevance. ![]()
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